A saree name can describe its fabric, how its pattern is made, or a regional tradition. Start with the look you love, then check the individual piece for composition, drape and finishing.
Our online selection is part of what we offer. Ask us about a style even if you do not see it listed.
Use these terms to narrow your preferences. For a pure fibre, a specific weaving method or a particular origin, ask us to confirm the individual product details before ordering.
Regional traditions
Kanjivaram / Kanjeevaram / Kanchipuram
Saree tradition
Kanjivaram is the saree tradition associated with Kanchipuram in Tamil Nadu, known for silk and contrasting borders. Traditional korvai borders and petni pallus join different sections during weaving, while contemporary constructions vary.
Ask about fabric composition, zari and the weight of the saree you like.
Kanchipuram silk saree buying guide
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Learn more: India Handloom Brand
Gadwal
Saree tradition
Gadwal is a Telangana weaving tradition often combining a cotton body with silk borders and pallu joined during weaving. All-silk versions also exist, so the body and border can offer different textures and compositions.
Compare the body, border and pallu materials separately when choosing a Gadwal saree.
Gadwal Sarees: Cotton, Silk and Borders
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Learn more: Telangana Tourism
Kanchi Gadwal
Combined listing term
Kanchi and Gadwal refer to different saree traditions. A listing that combines the names needs a closer explanation of its body, border and pallu; the combined name does not establish a single weaving tradition or fabric composition.
For Kanchi Gadwal pattu or linen styles, ask which parts are silk, cotton, linen or a blend, and request details of the weave and origin.
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Kanchi Cotton
Cotton saree style
Kanchi Cotton should be considered separately from Kanjivaram silk. Look for cotton or a stated cotton blend in the product fabric details.
Ask about body and border composition, especially when comparing cotton, silk-cotton and silk sarees.
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Dharmavaram
Saree tradition
Dharmavaram is a silk-weaving tradition from Andhra Pradesh, associated with broad borders, elaborate zari work and decorated pallus. Flowers, birds and other woven motifs give many traditional designs a substantial ceremonial appearance.
Compare the weight, border width and stated zari composition when choosing a piece for a long event.
Dharmavaram Silk Saree Buying Guide
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Learn more: Sri Sathyasai district
Uppada Jamdani
Saree tradition
Uppada Jamdani comes from coastal Andhra Pradesh, with additional pattern threads woven into the fabric to form motifs. It has a history in fine cotton, while documented silk versions use mulberry silk with silk or zari pattern threads.
Check the composition and request close views of the motifs and reverse when comparing cotton and silk versions.
Uppada Jamdani: Weave and Saree Choices
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Venkatagiri
Saree tradition
Venkatagiri sarees come from Andhra Pradesh and include fine cotton, silk-cotton and silk varieties. Zari borders and Jamdani-style woven motifs appear in the tradition alongside simpler bordered designs.
Compare composition, body motifs and included blouse fabric; the regional name alone does not identify the set contents.
Venkatagiri Sarees: Cotton and Silk Choices
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Learn more: Tirupati district
Mangalagiri
Saree tradition
Mangalagiri is an Andhra Pradesh weaving tradition associated with distinctive Nizam borders and comparatively simple saree bodies. Cotton is a foundation of the tradition, while local production also includes silk and silk-cotton versions.
Confirm the fibre content and view the border and body together, especially when comparing plain, printed and embellished versions.
Mangalagiri Sarees: Fabric and Border Guide
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Learn more: Guntur district
Mysore Silk
Regional silk tradition
Mysore Silk is associated with Mysuru in Karnataka and the silk-weaving heritage preserved by Karnataka Silk Industries Corporation, or KSIC. KSIC's documented range includes zari crepe and printed silk sarees, offering different surface designs within that tradition.
For a piece specifically offered as KSIC Mysore Silk, request its maker identification and product details; compare the zari and fabric construction too.
Mysore silk history and weaving
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Banarasi Silk
Regional silk tradition
Banarasi silk belongs to the weaving traditions of Varanasi, also called Banaras. Brocade versions combine a silk ground with decorative pattern threads, often featuring floral or leafy motifs and a metallic effect from zari.
Compare the base fabric, motif technique and zari coverage to choose the drape and level of decoration you prefer.
Banarasi silk weaving and motifs
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Chanderi
Saree tradition
Chanderi from Madhya Pradesh is associated with fine, light, often sheer fabrics and woven motifs. Cotton, silk and silk-cotton varieties are documented, giving buyers different compositions within the same regional tradition.
Check composition and opacity in the particular piece before planning the blouse and underskirt.
Chanderi saree buying guide
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Learn more: CIPAM
Maheshwari
Saree tradition
Maheshwari sarees come from Maheshwar in Madhya Pradesh, with patterned borders and often stripes or checks. A common construction pairs silk warp with cotton weft, bringing the two fibres together in one fabric.
Compare the fibres in both warp and weft, the border pattern and the composition of any zari.
Chanderi and Maheshwari compared
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Kota Doria
Regional fabric tradition
Kota Doria is a light, open-textured weaving tradition from the Kota region of Rajasthan, recognized by small woven squares called khat. Cotton-silk combinations are common, and the open structure makes transparency an important part of choosing a piece.
Request the fibre composition, loom and origin details, plus a close-up and an opacity check.
Kota Doria Sarees: Checks and Sheer Drape
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Bhagalpuri Tussar
Regional silk style
Bhagalpuri points to the textile centre of Bhagalpur in Bihar, while tussar or tasar identifies a silk type. The region produces tasar and mixed-silk fabrics, so the fibres in both warp and weft help identify the composition of a particular saree.
Confirm the weaving origin and the fibre content of both thread directions when comparing Bhagalpuri pieces.
Bhagalpuri Tussar: Silk Saree Buying Guide
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Learn more: Bihar Handloom and Sericulture
Pattern and craft
Patola
Ikat tradition
Patola is associated with patterned ikat textiles. For a particular saree, ask whether its pattern is made with single ikat, double ikat or another process.
A similar-looking motif does not establish the weaving technique; confirm the details of your chosen piece.
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Paithani
Saree tradition
Paithani sarees are known for their decorative borders and pallu. Look closely at the motifs and how the pallu works with the body colour.
Ask for a close view of the pallu and confirmation of the fabric and zari used.
Paithani borders and pallu explained
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Learn more: Government of India
Bandhani
Dyeing technique
Bandhani uses tied areas of cloth to resist dye, creating patterns of dots and other shapes. The technique can be used on different base fabrics.
Check the fabric, transparency and care instructions alongside the pattern.
Bandhani Sarees: Tie-Dye and Fabric Choices
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Learn more: IIT Bombay — D’source
Ikat
Yarn-dyeing technique
Ikat patterns are created by resist-dyeing yarns before they are woven. Single and double ikat describe which yarn directions carry the prepared pattern.
For an ikat saree, ask about the technique and fabric separately, including when a listing also uses Kanchi as a style term.
Understanding Ikat and Patola weaving
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Learn more: IIT Bombay — D’source
Kanchi Ikat
Combined listing term
When Kanchi and Ikat appear together in a listing, confirm what each term describes. An ikat-like motif is not proof of yarn-dyed ikat, Kanchipuram origin or pure silk.
Ask whether the pattern is woven using resist-dyed yarns, whether it is single or double ikat, and what the body and border are made from.
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Chikankari
Embroidery tradition
Chikankari is an embroidery tradition associated with Lucknow, with delicate stitched motifs and effects such as shadow work. Classic white-on-white embroidery on fine muslin has expanded to coloured threads and varied base fabrics.
Ask about the base fabric, embroidery method and lining separately, since Chikankari describes the needlework rather than the fibre.
Chikankari Sarees: Embroidery and Fabric
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Jamdani
Pattern-weaving technique
Jamdani creates motifs during weaving by adding pattern threads to the fabric's ground weave. The tradition is closely associated with fine cotton textiles of Bengal, while regional adaptations such as Uppada also include silk versions.
Ask where the piece was woven and what its ground and pattern threads contain; technique and fibre are separate details.
Jamdani Sarees: Motifs, Fabric and Drape
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Learn more: UNESCO
Dhakai Jamdani
Regional weaving tradition
Dhakai Jamdani refers to the Dhaka-associated tradition of Jamdani weaving in Bangladesh. Its patterned, traditionally fine cotton fabric uses woven motifs, with Dhakai identifying the regional connection within the wider Jamdani family.
Request the weaving location, fibre composition and a close view of the motifs when comparing pieces carrying the Dhakai name.
Dhakai Jamdani Sarees: Fabric and Motifs
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Learn more: Bangladesh Ministry of Foreign Affairs
Patan Patola
Double-ikat tradition
Patan Patola is the double-ikat weaving tradition of Patan in Gujarat, with both lengthwise and crosswise yarns tied and dyed before weaving. Its motifs come from the alignment of dyed yarns rather than a surface print.
Ask for the weaving location, fibre composition and close-ups of the actual saree; a Patola-style motif alone does not establish Patan origin.
Patan Patola and double ikat explained
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Rajkot Patola
Ikat tradition
Rajkot and the surrounding Gujarat weaving area produce both single- and double-ikat sarees. In a documented single-ikat method, the crosswise threads are tied and dyed into patterns before weaving.
Ask whether the specific saree is single or double ikat and where it was woven; Rajkot and Patan labels are not interchangeable.
Rajkot Patola: Ikat Saree Buying Guide
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Ajrakh Silk
Printed silk style
Ajrakh names a block-printing and resist-dyeing tradition rather than a silk fibre or weave. An Ajrakh silk saree combines that decoration with a silk base, whose fabric and place of weaving are separate from the printing process.
Ask about the silk, whether the piece is hand-block printed, and which dyes and care instructions apply.
Ajrakh Silk Sarees: Print and Fabric Guide
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Kantha Silk
Embroidered silk style
Kantha is a Bengal embroidery tradition known for running-stitch work. A Kantha silk saree brings that embroidery together with a silk base, so the fabric and stitching each contribute to its appearance and feel.
Ask which silk is used, whether the embroidery is by hand or machine, and for close-ups of both sides.
Kantha Silk Sarees: Stitch and Fabric Guide
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Fabric and weave terms
Linen
Fibre and fabric
Linen is made from flax. A linen saree may also be blended with other fibres; check the listed composition instead of relying on the style name.
Ask about the blend, texture and how the fabric softens and creases with wear.
Linen and cotton sarees compared
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Raw Mango style
Supplier style
In our catalogue, Raw Mango is a supplier fabric or style term. Check the composition in the individual product details; the name does not mean that every piece is raw silk, a fixed colour, or a product of the designer brand Raw Mango.
Compare the fabric specification and a close-up of the weave before choosing.
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Banarasi Ektara
Weaving term
Ektara is a term used in Banarasi weaving descriptions. It is most useful alongside the fabric and construction details of the specific saree.
Ask us to confirm the weave, composition and feel; the term alone is not a fixed weight or thread-count specification.
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Learn more: Tilfi — example of maker terminology
Banarasi Tissue
Fabric type
Tissue sarees are chosen for their shimmering appearance. Compare the fabric composition, transparency and structure, since the finish and drape vary between pieces.
Ask for a drape video if you are choosing between a softer and a more structured saree.
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Banarasi Kadhua (Kadwa)
Weaving technique
Kadhua refers to a way of weaving individual motifs into the fabric. It describes the pattern-making technique, while the base fabric needs its own description.
Ask for close-up views of the motifs and confirmation of the technique for the selected piece.
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Learn more: NABARD — GI textile descriptions
Banarasi Kora
Fabric term
Kora is often described as organza in Banarasi saree listings. A Kora tissue piece can combine that sheer character with a shimmering finish.
Check whether the product lists silk or a blend, and ask how sheer and crisp it feels.
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Organza
Fabric type
Organza describes a sheer, crisp fabric. Its appearance does not establish the fibre content, so silk and other compositions should be identified in the product details.
Consider transparency, pleat volume and blouse coverage as well as the colour.
Organza Sarees: Sheerness and Crisp Drape
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Banarasi Katan
Silk fabric term
Katan is a silk yarn and fabric term used in Banarasi textiles. The weave, embellishment and construction affect how an individual saree feels and drapes.
If you want a lightweight Katan saree, ask about that piece specifically rather than assuming all Katan has the same weight.
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Georgette
Fabric type
Georgette is a light, crepe-textured fabric made with tightly twisted yarns that create its fine grain or crinkle. It can be made from silk or manufactured fibres, so its texture and fibre content describe different qualities.
Ask for the fibre content, weight and a drape video, and check coverage with the underlayer you plan to wear.
Georgette and chiffon compared
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Learn more: Handicrafts and Carpet Sector Skill Council
Chiffon
Fabric type
Chiffon is a lightweight, sheer fabric in a plain weave, with finely twisted yarns. It can be made from silk or other fibres, so the fabric name needs a separate fibre declaration.
Check the actual saree's transparency and drape, and confirm its fibre content and care instructions.
Chiffon and georgette compared
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Satin Shimmer
Weave and appearance terms
Satin is a weave whose longer yarn floats create a smooth, reflective surface, and it can use silk or manufactured fibres. Shimmer describes a light-catching look, so the actual weave, fibres and finish still need to be identified for a particular saree.
Ask what creates the shine and request a close-up or short video in ordinary light.
Satin Shimmer Sarees: Shine and Drape
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For a US occasion, share your delivery ZIP code and event date, then confirm the final price, fabric, blouse details and delivery timing before ordering.